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Eyes of Laura Mars : ウィキペディア英語版
Eyes of Laura Mars

''Eyes of Laura Mars'' is a 1978 thriller film starring Faye Dunaway and Tommy Lee Jones and directed by Irvin Kershner. The screenplay was adapted (in collaboration with David Zelag Goodman) from a spec script titled ''Eyes,'' written by John Carpenter, and would become Carpenter's first major studio film of his career. The late H. B. Gilmour would later write the novelization, one of at least six that marked her literary career.
Producer Jon Peters, who was dating Barbra Streisand at the time, bought the screenplay as a starring vehicle for the actress, but Streisand eventually decided not to take the role because of "the kinky nature of the story," as Peters later explained. As a result, the role went to Dunaway, who had just won an Oscar for her performance in ''Network''.
Streisand nevertheless felt that "Prisoner", the torch song from the film, would be a good power ballad vehicle for her. She sang it on the soundtrack and garnered a moderate hit as a result (the record peaked at number 21 on the ''Billboard'' Hot 100).
''Eyes of Laura Mars'' is said to be an example of an American version of the giallo genre. The film is also noted for its use of red herrings and its twist ending.
==Plot==
Laura Mars (Faye Dunaway) is a glamorous fashion photographer who specializes in stylized violence. Amid controversy over whether her photographs glorify violence and are demeaning to women, Laura begins seeing, in first person through the eyes of the killer, real-time visions of the murders of her friends and colleagues.
John Neville (Tommy Lee Jones), the lieutenant in charge of the case, shows Laura unpublished police photographs of unsolved murders that very closely mirror Laura's fashion shoots. Laura's visions continue, including visions of the killer stalking her and continuing to murder those around her. Meanwhile, Laura and Neville fall in love. The murders continue as Laura's various colleagues, acquaintances and past romantic interests come in and out of focus as potential suspects or victims, until a final confrontation between Laura and the killer occurs.
At her apartment, Laura is affected by one last vision of the killer, who has now come for her. The killer attempts to break in through her front door, but Laura deadbolts it before he/she can enter. Upon hearing her distress, Neville (who had been on his way to meet her) breaks through her balcony window. He proceeds to tell Laura they have caught the killer, a troubled colleague of hers named Tommy, and begins an elaborate explanation of Tommy's motivations and back story. Knowing Tommy well, Laura recognizes this as a lie and that Neville himself is the killer. As Neville details more of his own story, it is implied that he may have multiple personalities. Because of this, and his love for her, he cannot bring himself to murder her and instead asks that she end his life. She shoots him dead, calling the police as we close in on her eyes.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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